5 Things You Probably Didn’t Know About Orthodox Iconography

Saint John Church Iconostasis

Icons hold a special place in the hearts of Orthodox Christians. Like photographs of our loved ones on earth, icons serve as a visual reminder of our departed brothers and sister in Christ. They also play a key part in the liturgical life and worship of the Church, teaching us about Christ, His Passion, and His Saints who followed after Him. The world of Orthodox iconography is quite vivid and interesting! In this post, we share five things we bet you didn’t know about icons in the Orthodox Church.

5 minutes

1. Icons are windows into heaven

Many people simply believe icons are nice works of religious art. However, icons are essential to Eastern Orthodox Christian worship, theology, and devotion. They are not just decorations for the church’s walls. We consider them “windows into heaven” for the following reasons:

  • Communion with the holy
    Icons allow us to commune with the holy figures depicted within them (the prototype). Through veneration of the icons, we receive divine grace, which draws us closer to God. 
  • Becoming part of the Body
    Icons remind us that we are part of a community that extends beyond those we can physically see in the room with us. The Saints are part of the Body of Christ just as we are!
  • Pictorial Theology
    Icons express the Gospel message in images, in the same way that Scripture does with words. It explains our theology to those who may not understand our language.
  • Inverse perspective
    Iconographers use inverse perspective when writing icons, putting the vanishing point at the viewer’s heart. They do this to communicate that God is revealing Himself through his holy ones.
  • Heads are almost perfectly round
    In icons, the heads of holy figures are almost perfectly round to convey that the viewer is seeing the total revelation of the person. 

2. True iconographers do not sign their icons

The next time you admire a piece of art, you will most likely see the artist’s signature in one of the corners. However, this is not the case with Orthodox icons. There are no signatures or recognition given to the iconographer on the front of the icon. On the back, often for marketing and copyright purposes, the name of the iconographer and company will be displayed. But never on the front.

Sunday of Orthodoxy icon

Why is this? Because the focus in Orthodox Christian iconography is on the divine image depicted rather than the individual artist. Since the icon is a window into heaven and not a personal expression like most other art, the artist’s ego becomes secondary to the sacred subject in the icon. Essentially, ego becomes completely irrelevant when one writes an icon.

3. Every color means something different

Every color used in Orthodox iconography carries a specific meaning.

GoldReserved for Christ, symbolizes the divine nature and uncreated light of God
BlueSymbolizes the kingdom of God (dark blue for the Mother of God, shows her heavenly nature)
RedSignifies life on earth, symbolizes life-giving energy, love, passion, and Christ’s sacrifice. Symbol of the saving nature of the resurrection.
GreenSymbol of eternal hope, flowering, youth, and nature. Typically used to denote where life begins (ex. icons of the Nativity and the Annunciation).
WhiteStands for divine light, purity, and holiness. White clothes typically indicate those who lived a good life obedient to the Lord.
BlackSymbol of death and evil, used to depict satanic beings, demons, and the abyss. Can also symbolize the renunciation of secular pleasures (as is the case with monks and nuns).
PurpleColor of royalty, shows the glory of Jesus Christ and the Theotokos.

Related: A Guide To Liturgical Colors In The Orthodox Church

When iconographers use brighter versions of colors, they do so to depict happiness, joy, and the bliss of the Faith. This makes sense, when you consider that brighter colors incorporate the use of white. Similarly, when an iconographer uses darker colors in his/her writing, this serves to illustrate the struggles of the Faith, as well as ascetism and monasticism. This also makes perfect sense, when we take into account what black represents in Orthodox icons.

4. Iconographers never use the color gray

No matter how many Orthodox icons you inspect, you will not find a single one that uses gray in its depiction. Gray is a mixture of white and black, which are holiness and evil respectively. Gray itself, then, has become the symbol of vagueness and emptiness, since it is between righteousness and wickedness. There is no place for such a color in the radiant world we see depicted in the icons.

5. The long noses and high foreheads are intentional

You may have noticed that the persons depicted in Eastern Orthodox icons have rather unrealistic features. Their foreheads are often quite large, noses elongated, lips stout and closed. This is deliberate!

St. John Climacus, or St. John of the Ladder
Notice the exaggerated features of St. John Climacus in this icon. What do those features tell us about him?

The physical features of the person depicted in the icon are symbolic of their spirituality. The high forehead conveys their spirituality and wisdom. Monks and holy people are often given deeper wrinkles to symbolize their knowledge. The elongated nose symbolizes the saint’s attunement to the incense of prayers rising to Heaven. Finally, the closed lips remind the viewer of the importance of silence and staying the tongue.

    Conclusion

    The world of Orthodox iconography is just as vast as the Faith itself. Every color has meaning, every physical characteristic depicts part of the revelation God has given to us. How amazing, for our Faith to be so deep that even in a lifetime of practicing it, we would not even skim the surface of these waters.

    Are there other interesting facts about Orthodox iconography you think we should know? Share them in the comments below!

    Keep Reading: A Guide To Orthodox Liturgical Vestments

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    7 Responses

    1. In my own experience a small icon of St Ambrose of Optina, who I embraced as my personal saint, has given me important messages at times when I was misbehaving. I had blue tacked it to my bedroom wall, and one morning I was doing some stretches before I did my morning prayers when it “popped” off the wall of it’s own accord, coming face down on the carpet below, about 8 or so inches from the wall. There had been no earthquake or wind!! I felt I was being told to go straight into my prayers, bypassing any exercises, out of respect for God.

    2. Are Icons depicting the father venerable??? my friend gave me an icon and a crucifix, the crucifix being the form of the orthodox cross, and an Icon, depicting Jesus, the father, and the holy spirit. I hear that most icons of the father are uncanonical because the father is incorporeal and subjecting to him to a human body or aging is heretical. but I still really liked the icon and found it funny at the same time, so I venerated The father through the icon. but, to put it simply my question is: are icons of the father venerable???

      1. Jack,

        Good to hear from you again! This is a thoughtful question, and it’s great that you’re seeking to understand the tradition behind the icons you use in prayer!

        In the Orthodox Church, there is a clear teaching about how – and whom – we depict in icons. The Seventh Ecumenical Council (Nicaea II, 787) affirmed that icons can be made of Christ, the Theotokos (Mary), the angels, and the saints because they either took on human flesh (like Christ) or were seen in visible form (like the angels). But when it comes to God the Father, the teaching is different.

        The Orthodox Church does not approve of icons that depict God the Father as an old man or with any human features. The reason is theological: the Father is “invisible, incomprehensible, without beginning,” as we say in the Divine Liturgy. Only the Son (Jesus Christ) became human and was seen by people—so only Christ is properly depicted in human form. St. John of Damascus, one of the great teachers of icons, wrote: “It is impossible to represent the invisible, incorporeal God, the Father. He cannot be depicted.” (St. John of Damascus, On the Divine Images, Book I, 7).

        Sometimes you’ll see icons of the “Old Testament Trinity” (the three angels who visited Abraham in Genesis 18), which is a symbolic depiction of the Trinity, not a literal picture of the Father, Son, and Holy Spirit as three men. You might also see certain Western-style icons that show the Father as an elderly man, often next to Christ and the Holy Spirit as a dove. These are not considered canonical or proper for veneration in Orthodox tradition, because they can confuse our understanding of God.

        If you have an icon that depicts the Father in human form, the Orthodox Church would encourage you not to venerate it in the same way you would venerate an icon of Christ or the saints. It’s not because you did anything wrong out of ignorance, but because the Church wants to safeguard the mystery and reality of who God is.

        It’s good that you’re asking these questions and wanting to honor God in the right way. If you’re ever unsure about a particular image, your parish priest or spiritual father would be a good person to ask. The important thing is the love and reverence in your heart as you seek to glorify God “in spirit and in truth” (John 4:24). God bless!

        1. Well, What about the holy spirit??? The icon I have depicts the Holy spirit as a dove, because he came down to Earth as a dove that one time. are depictions of the holy spirit prohibited???

          1. Jack,

            Great follow-up question! The Orthodox Church’s tradition with icons is very careful, and the way we depict the Holy Spirit is actually a bit different from how we treat depictions of God the Father.

            The Holy Spirit, like the Father, is invisible and without a body. However, the Church allows the Holy Spirit to be depicted in certain specific ways, but only because He chose to reveal Himself in those visible forms at particular moments in Scripture. For example, at the Baptism of Jesus, the Holy Spirit appeared “in bodily form, like a dove” (Luke 3:22), and at Pentecost, the Holy Spirit appeared as “tongues of fire” (Acts 2:3). Because of these scriptural events, it is considered acceptable in Orthodox iconography to depict the Holy Spirit as a dove in icons of the Baptism of Christ (Theophany), or as tongues of fire in icons of Pentecost. These aren’t meant to show us what the Holy Spirit “looks like” in Himself, but rather to remind us of the moments when He made Himself known in these forms.

            That means your icon is following tradition, as long as the Holy Spirit is shown as a dove in the context of the Baptism or another biblical event where He appeared that way. What the Church doesn’t do is invent new ways of depicting the Holy Spirit, or try to show Him in human form, since He has never taken on flesh. We hope this helps – God bless!

            1. Well, since the father is incorpreal and without bodily form… how do I venerate him without the use of icons???

            2. Jack,

              When we venerate icons, we are not venerating the divine essence itself, but the person depicted. Icons of Christ are central because Christ is the eternal Son who “became flesh and dwelt among us” (John 1:14). He is the “image of the invisible God” (Colossians 1:15); in seeing Christ, we see the Father (John 14:9). Thus, Christ is the icon of the Father.

              We do not venerate the Father directly through an icon because He has not revealed Himself in any bodily form. Instead, our worship and veneration of the Father are expressed through prayer, participation in the sacraments, and love of neighbor. In the Divine Liturgy, we pray to the Father, through the Son, in the Holy Spirit. The veneration of Christ’s icon, as well as icons of the saints, always points us back to the mystery of the Holy Trinity, whose fullness is beyond all human depiction. We hope this helps – God bless!

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